untitled, 2022
ink, papercut into accountance paper
49,5 x 37,5 cm
photo Kuckei+Kuckei
exhibition view: random repeat refine, Kuckei+Kuckei, Berlin 2022, photo Thomas Bruns
(from left to right: Fiene Scharp, Marie Rief)
untitled (grid shifts II, series of 3), 2022
papercut into one layer
circa 100 x 100 cm
photo Thomas Bruns
exhibition view: Nearby - Wie Bilder sehen!, PEAC Museum, Freiburg im Br. 2021, photo Berhard Strauss
untitled (grid shift II, series of 3), 2020
papercut into one layer
circa 100 x 100 cm
photo Berhard Strauss
untitled (series), 2020, papercut on european graph paper, exhibition view: voids, Kuckei+Kuckei, Berlin 2020, photo Thomas Bruns
untitled (series), 2020
papercut on european graph paper
42 x 32 cm
untitled (grid shifts I, series of four), 2018, exhibition view: fragile fragments, Kuckei+Kuckei, Berlin 2018, photo Thomas Bruns
untitled (grid shifts I, series of 4), 2018
papercut into one layer
each circa 65 x 50 cm
collection Museum Ritter
photo Thomas Bruns
untitled, 2014, papercut, 300 x 150 cm, exhibition view: between the lines, 401contemporary, Berlin 2017, photo setform
untitled (deitail), 2014
papercut,
300 x 150 cm
photo setform
Koinzidenz I, 2016
papercut into graph paper
70 x 50 cm
photo: setform
Each space of the millimeter paper was cut, but not removed. Due to the slight movements of the paper during the manufacturing process and the subsequent exhibition and archiving practice, the interspaces gradually fall out and expose the millimetre grid structure as a permanently transforming drawing.
Koinzidenz II, 2016
papercut into graph paper
70 x 50 cm
photo: setform
untitled (series), 2014
papercut into graph paper
20 x 20 cm
photo: Marcus Schneider
untitled (series), 2014
papercut into graph paper
20 x 20 cm
photo: Marcus Schneider
untitled, 2018
papercut
29,7 x 21 cm
untitled, 2012, papercut, 300 x 150cm, Collection Kunstmuseum Stuttgart, exhibition view: Rasterfahndung - das Raster in der Kunst nach 1945, Kunstmuseum Stuttgart, Stuttgart 2012